Showing posts with label fall. Show all posts
Showing posts with label fall. Show all posts

7.11.2015

Fall Scene Video Course


I'm very excited that my video course on how to paint this fall scene now has more than 700 students enrolled on the learning site Udemy.com. Now I have to get down to painting again since I am running out of inventory, having spent the last six weeks doing this video.
https://www.udemy.com/paint-a-stunning-fall-watercolor-in-seven-easy-steps/

5.10.2015

Fall Glory


I know it's not yet that time of year, but I wanted to experiment with a combination of yellows and oranges for a course I am creating on the site udemy.com on how to paint a fall landscape. I am pleased with these particular color combinations and think I will go with them. It's paradoxical that fall leaves create such a beautiful site in their dying throes. I used Daniel Smith's new gamboge,  golden ochre, cadmium red mixed with new gamboge and French ultramarine mixed with burnt umber for the few darks in the leaves. For the ground area I dribbled sepia ink over the watercolors for texture.

9.23.2014

Fall Colors


It's that time of year again. I love painting the fall colors - reminds me of our time living in Virginia. I donated this watercolor to my local Marin Society of Artists for their annual auction fundraiser. Each time I paint one of these scenes I try out different colors. For this piece I first thoroughly wet the paper and then painted a very diluted wash of oreolin. After it was dry I spattered different combinations of color with different size brushes and then spritzed the spatters with water just slightly to give the spatters uneven shapes. When that was dry I dabbed the piece with scrunched up saran wrap dipped in different colors. I used cad red mixed with new gamboge, raw sienna mixed with burnt sienna, lemon yellow with burnt sienna, oreolin with burnt sienna, and for the browns, burnt sienna mixed with french ultramarine.  I was particularly please with how the brown worked out, also supplying the needed darks to the watercolor.

10.01.2013

Autumn Symphony


It's that time of year again. One of the things I miss most since moving from the east to the west coast is how the leaves change color in the fall.  What I don't miss is having to rake them up - but it is a beautiful sight while it lasts.The photos of the different stages accidentally got deleted so I will describe them for you.

Stage 1:  I wet 140lb Saunders Waterford CP paper and painted a layer of aureolin randomly over the sheet.  Before it dried I splattered transparent yellow and quinacridone burnt orange mixed with aureolin into the wet paint for the first layer of texture and let this dry. 

Stage 2:  I proceeded to splash more Indian yellow, transparent yellow and a mixture of Quinacridone burnt orange and aureolin onto the sheet. I spritzed this lightly with a spray bottle which changes the round dots to random shapes that more resemble leaves. I let this dry completely. 

Stage 3: For the next to final stage I crumpled up some saran wrap into a ball and dipped it into all of the same colors - plus some Daniel Smith olive green to add some darks - and dabbed this all over the piece. When this was dry I brushed off the masking fluid and painted the tree trunks and branches with a mixture of quinacridone burnt orange mixed with French ultramarine which makes a very nice grey.  I added a few more dabs of paint to make the colors a little richer. The final step was making a darker mixture to paint the markings on the bark. 

10.05.2012

Autumn Glow


I had a few weeks of not liking anything that I painted - painter's block I guess.  So I was thinking how to change course and come up with something totally different. I was thinking of the time I lived on the east coast and how lovely the fall colors were. I still wanted my watercolor to be more representational than realistic though. I started out by masking the tree trunks and glazing the paper with a pale yellow, followed by lots of splattering with different shades of yellow.  When that was dry I removed the masking fluid and scrunched up some saran wrap, dipped it into various shades and dabbed them onto the page.  I'm pleased with the result and think it worked out well.