Thistles

I'm back in the painting groove again. I was going through a bit of painting block so I decided to change tack and paint some flowers instead of the usual landscapes and seascapes. These thistles grow prolifically on the trail we use to exercise our dogs. I have taken a number of photos of them but until now have not attempted to paint them. I like to keep my flower paintings loose, leaving something to the imagination for the viewer. I did two paintings because I wasn't quite happy with the first one, and I am still not that happy with the second one. I may have a third go and if it is better will post it.

Wild Fennel

I just had to go back to using muted colors after my last exercise. It's more in my comfort zone. I'm sorry I didn't photograph this in the various stages to show how I painted this piece. I started out masking out the fennel flowers, drawing them very loosely with various dots of masking fluid and joined the dots together to give the appearance of fennel flower heads. I also masked out some branches and splattered some masking fluid randomly onto 140lb Fabriano cold pressed paper. Once dry I started adding the background colors of indigo and Daniel Smith's Pompeii red. After that dried I added more branches and spatterings with masking fluid. When dry I sprayed the watercolor in parts with water and added a darker shade of indigo mixed with a little alizaron into the wet areas and waited for it to dry. I then removed all the masking fluid and loosely wet the flowers and painted them first with Aureolin yellow and then, while still wet, I dropped in some transparent yellow to give them a bit of depth. These flowers are somewhat of a greeny yellow, leaning towards mustard color. I had to try out several yellows on a piece of scrap paper to get the right hue. Layering always helps to give a painting more depth.

Dandelion Heads

I have been practicing these dandelion heads for some time and only now have I managed something half decent.  Thought I would post this one even though there were a few things I could have done to make it more lively. I should have spattered masking fluid before starting to preserve some whites. And maybe cobalt blue would have been better than the indigo I used.  I will definitely work on perfecting the technique. I bought this great bottle of masking fluid by Daniel Smith that has different size applicator heads, including very fine ones for masking out the the fine white lines of the dandelion. Other colors I used were Daniel Smith's quinacridone gold by itself and mixed with alizarin crimson in areas. Lots of spattering and some salt also.

Last week I went to a demonstration of Daniel Smith watercolors and I must say I am quite smitten. They have some beautiful colors and I ended up spending way too much stocking up on a lot of their granulating colors because I love using textures in my watercolors. The representative from Daniel Smith told us that their watercolors have more pigment in them than other watercolors. They can also be resurrected after they have dried out. I tested this and the colors stay as vibrant. Quite impressed.