Showing posts with label original watercolors landscapes. Show all posts
Showing posts with label original watercolors landscapes. Show all posts

11.04.2016

Reflections On Water


My latest Youtube video on how to paint reflections on water.  I do a different demonstration every two weeks, so if anyone is interested, please subscribe to my Youtube channel to be notified when new videos are uploaded. I had fun doing this. I used my favorite Saunders Waterford cold pressed paper and just three colors, raw sienna, burnt sienna and Paynes grey.

10.25.2016

Painting a Fall Scene Demo




I recently did a Youtube how-to video on painting a simple Fall scene.  It was basically an exercise in choosing colors for a larger painting and how to keep your paintings loose. Hope you enjoy it, and if you do, please subscribe to my channel where you will get regular demonstrations on all things watercolor.

4.16.2015

Patterns In The Landscape


This is a small 5"x7" test piece I did to see if the colors would work together for a larger piece. Sometimes I end up liking the test piece better than the larger watercolor. Have not attempted the larger piece yet but will soon. I used Indigo, yellow ochre and burnt umber on Fabriano cold pressed watercolor paper.  The textures in the landscape were achieved using cling film. I like to create a semi-abstract section in each of my watercolors.

8.12.2014

Serpentine Mountain


Here is my abstract version of Mt Tam. I used one of the techniques mentioned in Ann Blockley's latest book by using cling film over the wet paint to create texture. The colors I used were quinacridone burnt orange, Prussian green and quinacridone gold - with some sepia ink squeezed under the cling film to add more texture. I thought the textures came out quite well and gave the mountain nice contours while remaining abstract. As it happens the stone on Mt Tam is called serpenting stone and is this very color green. This piece made it into the exhibition.

12.05.2013

Morning Glow


Trying different color combinations with glazing. The sky is a mixture of indigo and Indian yellow. I was pleased with the effect of the glow in the lower sky that one can sometimes see when the sun rises in the morning. The hills and trees are mixtures of burnt sienna and ultramarine and some acrylic sepia ink and some dribbling of granulation medium.