Early Evening Light

Trying to catch the early evening light for a tonalist effect on the landscape in this watercolor. I started with an underglaze of raw sienna followed by burnt sienna and indigo for the sky. The foreground is burnt sienna and French ultramarine. Had to do quite a few glazes for the sky to get that dusky look. Size: 13" x 10"

Lone Pine

The hills around Marin County turn a lovely wheaten color in summer. I have been trying to find ways to reflect them in an impressionist or atmospheric way in my watercolors.  Need a lot of practice still. I used burnt sienna, raw sienna Payne's grey and some sepia indian ink for the tree and darks. Also used granulation medium for the hill textures.

Dappled Moonlight

Another atmospheric watercolor. Trying to capture the moonlight I see over the bay from my living room window. If I were to do it again I would not put so much detail in the tree on the right. This would be better with just a few abstract strokes. Size is 13.5" x 9.5 inches. An underpainting of raw sienna was followed by using French ultramarine mixed with burnt sienna for the rest of the painting. I used a coarse painters brush for the sea to get the effect of dappled moonlight.

Stormy Sky Over The Bay

We've had some pretty stormy weather recently. Thought I would try to catch the mood over San Francisco bay during this period. I used hookers green mixed with Payne's grey for the sky and sea, and Raw Sienna for the beach. Size: 14" x 11".

Cypress Sunset

Trees and sunsets - my favorite things to paint. I love atmospheric skies and what better setting to complete the picture than some dramatic trees. I used granulation medium in the foreground for the texture. For the sky I used a course painters brush to create the striations. Just four colors - transparent red iron oxide, cadmium red, Payne's grey and burnt umber.

On The Cliff

This was an experiment with textures. I wanted to paint a subject where I could practice using different textures - hence the cliff.  I used burnt sienna, burnt umber and sepia ink for the cliff and dribbled granulation medium in different areas to get texture. I also did some spattering. For the sky and distant trees I used indigo and indian yellow.I was quite satisfied with the cliff but feel the sky could have been a little more muted.

Rain Squall

An attempt to capture the rain clouds I observed a few days ago. I worked wet-in-wet for the soft effect of the clouds and when that was dry, I painted in the mountains with hard edges as a contrast to the sky. I used just three colors - Payne's grey, burnt umber and yellow ochre.  Size: 11.5x 7.5".

Marsh Light

I have done a number of watercolors of the local marshes. They really appeal to me - not sure why.  I used a dropper filled with watercolor to draw the reeds. I find it easier to be more loose with this method. The sky is done in layers with raw sienna for the under painting then red iron oxide with some neutral tint added. The hills in the background were a mixture of cobalt blue mixed with some Payne's grey. Size is 10.5"X13.5".

Mt. Tam Mist

I like painting Mt. Tamalpais - or Mt Tam as we call it - in the different seasons. It looks so different in each season. It is often shrouded in mist which gives it a mysterious quality. In summer the scrub dries out and becomes a golden wheat color  - as can be seen in my Mt. Tam Peak watercolor.

Autumn Glow

I had a few weeks of not liking anything that I painted - painter's block I guess.  So I was thinking how to change course and come up with something totally different. I was thinking of the time I lived on the east coast and how lovely the fall colors were. I still wanted my watercolor to be more representational than realistic though. I started out by masking the tree trunks and glazing the paper with a pale yellow, followed by lots of splattering with different shades of yellow.  When that was dry I removed the masking fluid and scrunched up some saran wrap, dipped it into various shades and dabbed them onto the page.  I'm pleased with the result and think it worked out well.